A portrayal of prufrock character

As the poem progresses, it becomes apparent that Prufrock is an affluent man who is not only tired of social pressures but with his own incompetence in withstanding these external forces.

what are two physical characteristics of the speaker in the lovesong of j alfred prufrock

He makes several statements that would allow a reader to arrive at this conclusion. Further complicating matters is the fact that one must always remember the tremendous intellect of the author, and the complexity of the protagonist.

Apparently, the name "Prufrock" was not one which Eliot created, but rather, "is borrowed from a firm of furniture wholesalers in St.

What does prufrock look like

For many readers in the s, Prufrock seemed to epitomize the frustration and impotence of the modern individual. This shifting, repetitive poem is a parody of a love song; it flows then stumbles and hesitates its way through the life of a middle aged male who can't decide where he stands in the world. T S Eliot wrote this poem while he was in his early twenties: he later recalled beginning the poem while a student of philosophy at Harvard University in —10, and he finished it while travelling for a year in Europe, in Munich and Paris. As an old man on the beach, looking out into the ocean, he questions if he did the right thing. Eliot begins his poem with what is by any standards a linguistic misjudgement and might seem just a comic stroke — to include of all things a pronominal initial in the name, as one might on an official form, in the title of a love poem; but he then goes on in his portrait of indecisiveness to make the fallibilities of such uncertain judgement seem terrible as well as comical. Only through considering all of these facets of the poem will one arrive at a complete picture of the text. Read it out loud, slowly, and its intelligence and music will emerge. Origins of "Prufrock" During the summer of , while at Harvard, Eliot began working on the poetry that was eventually to become "Prufrock. Characters in this type of atmosphere cannot be sure of anything they experience, and their environment is certainly an unpleasant one. In addition, the work has characteristics of most love songs, such as repetition or refrain , rhyme, and rhythm. Prufrock feels that if he does allow himself to be open with a woman, he will meet with profound rejection. It is never explicitly stated, but one can infer that he plans on asking this woman for her hand in marriage, but loses faith at the last minute. Alfred Prufrock by T. Certainly, this desire to have been born a crab is an interesting one, for a number of different reasons. The text in this article is available under the Creative Commons License.

These are equally present. American Poetry of the Twentieth Century. Clearly, therefore, the complexities of the poem begin with the first line.

However, the mermaid is also an image of something that is outside the realm of ordinary human experience. It is not as though Prufrock is doing this in a hopeful manner, though.

the lovesong of j alfred prufrock point of view

About the Poem: The poem centers on the feelings and thoughts of the eponymous speaker the somewhat neurotic Prufrock as he walks through the streets of London route to meet a woman for tea. Gray, Richard.

Shmoop j alfred prufrock

Mermaids have long been an important image in literature, representing both escape and fantasy at the same time. He must face a reality that he does not like, but waking up from that fantasy is anything but comforting for the protagonist. Even toward the end of the poem, where Prufrock uses more romantic imagery of the sea, the "white hair of the waves" seems to reflect his age and tumultuous emotions that govern the evaluation of his unremarkable progress through life, one marked by the bumpiness and imperfections of irregular and feminine rhymes for instance, "indecisions" and "revisions", "fingers" and "malingers", "platter" and "matter, "flicker" and "snicker", "meticulous" and "ridiculous" as well as stanzas and lines of vastly unequal lengths. Ultimately, the poem ends with a sense of frustration and futility, as the death image at the end of the poem confirms. Irony is apparent from the title, for this is not a conventional love song. The Love Song of J. The smoke as a player in and of itself, animalistic but not malevolent, is an interesting characteristic. They do not regard the classics of art with as much reverence as they should, nor do they think about life on the same level as Prufrock. His thoughts and feelings tend to be humble and full of self-doubt. Prufrock exhibits all the trappings of a 'little man'; he is an indecisive, anxious, modest, frustrated, melancholic and more than a slightly "ridiculous" character who agonises over whether "[Should he] should part [his] hair behind? Eliot was inspired by a character depicted in the novella known as Daisy Miller, written by Henry James. Ackroyd, Peter. Therefore, Prufrock surely is a man in a difficult position, whether it is due to his ignorance, or a result of the fact that others do not pay enough attention to him. Prufrock will retreat into a solitary, dignified old age.

All this imagery leaves the reader feeling that the place Prufrock is at is dark and hazy and not at all welcoming. Eliot's poem is full of metaphor and simile, simple rhyme and complex rhythms.

Surely, the strong female figures in his early life, and his own loneliness while in Boston combined to influence this poem.

A portrayal of prufrock character
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A "Prufrock" Paper